Microkill is non-conformist. We are detached from the norms and have build trails through unusual paths of music. Ours is the so-called 'World Music', but not limited to that type of music. We trod on these unseen paths, listening for unusual sounds, hearing trumpets in the sky, the drone of the factory, the gliding aeroplane, twittering of birds, a car goes by. These are the (ab)normal background noises of today, these are our rhythm, our chords. The hustle and bustle of the city, the tranquility of the countryside. Filled with noises, sounds. A chirp here, a vroom there. And then there is the virtual world of the internet. Filled to the brim with music and sounds. We use all these sounds to create (compose) music. We do not compose with a...

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Microkill is non-conformist. We are detached from the norms and have build trails through unusual paths of music. Ours is the so-called 'World Music', but not limited to that type of music. We trod on these unseen paths, listening for unusual sounds, hearing trumpets in the sky, the drone of the factory, the gliding aeroplane, twittering of birds, a car goes by. These are the (ab)normal background noises of today, these are our rhythm, our chords. The hustle and bustle of the city, the tranquility of the countryside. Filled with noises, sounds. A chirp here, a vroom there. And then there is the virtual world of the internet. Filled to the brim with music and sounds. We use all these sounds to create (compose) music. We do not compose with a direction, or an idea. There is no construction, no form. We start with a sound, any sound and work towards a composition, improvising as we go. We call this process 'Experimentalism'. Thus we create 'montages' of sound.

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